feather_ghyll

Here’s my annual round-up of highlights from 2018 posts. ( Read more... )

Last year's post.

Last May, I posted a list of links with the title 'LINKS: VARIOUS', saying ‘Here are some links I have meant to post for a good long while’. This is the case again, only the links are different:

Here’s an enthusiastic review of Daddy Long-Legs (I must find a copy of Dear Enemy!)

And in the same series of ‘Squee’ features, one for The Blue Castle (the comments praise A Tangled Web, which is one of the few LMM books I don’t own…yet).

Here's an overview of the Dimsie series and its appeal which led me to something similar about the Abbey girls series.

The confessions of a sci-fi and fantasy bookseller (some of this is specific to SFF, but some points would be echoed by other booksellers, I think.)

Here is a round-up of some things I posted about last year. ( Read more... )

Dimsie and the Jane Willard Foundation (The Dimsie short stories): Dorita Fairlie Bruce, Girls Gone By, 2011

I first came across Dorita Fairlie Bruce via the Springdale books, and until I bought this collection, I owned an equal amount of Dimsie and Springdale books. If I ever do get a complete collection of the Dimsie books, I should probably read them in order!

Anyway, this is a complete collection of the stories about Dimsie and her school written by Fairlie Bruce for various annuals. They are ( Read more... )

Sally’s Summer Term: Dorita Fairlie Bruce. Blackie 1961.

You mustn’t grumble when you get what you wished for! This is a moral for me, not from the story. After reading quite a few girls own books where the main character is a new girl, remarkable in some way, I wanted a story about an established schoolgirl. Here is one – the third, I believe, in the Sally series, which I haven’t come across before, although I have Springdale and Dimsie books, and, indeed, the one where they cross over.

So, ( Read more... )

I mentioned this book when I was reviewing The School on the Moor, which is about Tabitha (Toby)'s earlier adventures. I had forgotten I'd owned it and couldn't find it anywhere. Well, recently, I found the copy - it had slipped under a bookcase, essentially, and was hidden by boxes - and decided to reread it. I think I'm still missing a book or two in this series, though.

Toby at Tibbs Cross: Dorita Fairlie Bruce. Oxford 1944

This could have been titled 'Toby's War Work'; ( Read more... )

Over the weekend, I also reread Princess Charming, so I'll post my thoughts about that soon.

Dimsie Among the Prefects: Dorita Fairlie Bruce. Oxford. Reprinted 1949

I thought that I had bought four Dimsies in one go, but it was only three, so, after this, only one to go.

( Read more... )

Anyway, I am currently reading A Company of Swans, and it's delightful.

I've referred to Lucy Mangan's series of features on how to build up 'a brilliant children's library' before. Here in No. 15, she reaches Dimsie goes to School and Angela Brazils. Apparently the only difference between Fairlie Bruce and Angela Brazil is that one wrote her books a little earlier, which is unfair. Though I do appreciate that this is a short piece and she's talking about Dimsie as a representative of a genre.

But no, I cn't help but be pedantic, Fairlie Bruce wrote about Scotland as well as England, and Jean is a rubbish example of stoicism. I type as one who has four Dimsies waiting to be read upstairs. There's also a reference to 'You're A Brick, Angela' in the article, which apparatently was 'the first substantial book of criticism-cum-championing of girls' school stories'. This leads to the inevitable thought that if that's championing, who needs undermining. (I discuss that book and line of thought here.

Mangan's argument for these books is mainly nostalgic, though she makes an interesting point about how these books are no longer being passed on. Is this true? The Chalet School, Mallory Towers, St Clare's and Trebizons were easily available in paperback as I grew up, and I found others from my mother and her friends', a haphazard collection, and became a haunter of charity shops and Christmas fairs, but I was a real bookworm. But what about young girls these days? Do they get their hands on copies to beguile, entertain and confuse them?

I've read several children's books over the past few weeks, but I'm not in a position to type up full reviews at present, so here are some one-sentence responses. The Potato Riddle by Agnes and Norman Furlong was a boys' story, a change for me, and definitely operating by a different set of rules to the one I'm used to, which may have been a factor in how entertaining I found it i.e. novelty. Pamela at Peters' by Edna Lake flubs its central mystery horribly, ignoring the gun in the first act rule, but is otherwise a tight story with a new girl and a secret society fighting for a school's honour. Dimsie, Head Girl by DFB is the real deal though. Yes, the title makes the first half mildly irritating as you wait for the story to catch up and for Dimsie to step into the biggest shoes a schoolgirl heroine can, all to save the Jane Willard Foundation from drift - actually, there's a thematic sympathy between those last two books.

Then I read Plough Penny Mystery by Lavinia L. Davis, which features younger characters over a summer, and offers a genuinely perceptive character study in the shadow of the second world war. Catrin in Wales by Mabel Esther Allen is what you'd expect from MAE, first person narrative, coming of age story with romance amidst friendships, good on local detail - although there was something in there about a play about a Welsh valley being drowned performed in Liverpool that the sixties (Tryweryn) rendered a howler.

Finally, there was something in the news a few days ago about land girls and lumberjills (a term I'd never come across before) finally getting recognised for their war work by the UK Government. How? Badges. How very Blue Peter. (I'm not sure how tongue in cheek I feel about this).