feather_ghyll: Boat with white sail on water (Sailboat adventure)
Crimes on the Nile (New Old Friends theatre company, Ustinov studio theatre at Theatre Royal Bath, January 2019. It’s touring England and Wales throughout the spring).

Written by: Feargus Woods Dunlop
Directed by: James Farrell
New Old Friends website

Apparently ‘Crimes on the Nile’ is the fifth in a series of the unconnected adventures of brilliant Belgian detective…Artemis Arinae (mais oui, a lady detective! etc etc). Imagine a Venn diagram, this play would be in the overlapping bit between the circle of Agatha Christie and farce. It’s an affectionate send-up. Read more... )
feather_ghyll: Back of girl whose gloved hand is holding on to her hat. (Girl in a hat)
Daddy Long Legs St James’s Theatre, London

I spotted that there was a forthcoming musical adaptation of Jean Webster’s Daddy Long Legs in a newspaper, and, although it’s many years since I read the book – I suspect I’ve read Webster’s Just Patty more recently – I had to go. I keep meaning to see more theatrical productions (plays, musicals or dance) than I end up doing every year. So, that is what I was going to do a week yesterday. I had to pick up the ticket at the box office, so I couldn’t check it compulsively, only the diary in which I’d jotted down the time of the matinee. This time, I got there well in time.

Unfortunately, I got there hungry as a wolf. It was entirely my fault. I had just enough time – thought I – to wander around the vicinity, nose in map, and visit some charity shops and lunch. The reality was that I didn’t make any exciting finds, gawped at how much charity shops in Pimlico charge for clothes and failed to pop into a cafe or sandwich shop, even though I’d been hungry on leaving the coach. I only managed to get a croissant at the theatre, so I had a headache and a deep desire to kick myself as I took my seat. It’s to the production’s credit that my self-induced state didn’t mar my enjoyment one bit.

St James’s Theatre is, I understand, a new theatre built where an older theatre used to stand. I didn’t get much of a chance to take in the whole building, but the main auditorium is great. Three hundred and something seats – so they’re all good – descending down to the stage, allowing you to see and hear everything.

I’ll repeat that it’s many years since I read this book, and although I can visualise my copy, I have no idea where it is. I was curious about how they’d adapt what is an epistolary novel (and IIRC mainly written by one character). The answer is very cleverly.

This will contain spoilers for the musical and book, because I’m going to presume that you’ve read the book, and if you haven’t, you should have (if you’ve read Anne of Green Gables, What Katy Did and Little Women etc). And then you should go see this musical if you can.

Read more... )
feather_ghyll: Lavendar flowers against white background (Beautiful flower (lavender))
Daisy Pulls it Off (Royal Welsh College of Music & Drama, Sherman Theatre, 4/4/2009)

Daisy Pulls it Off
Written by: Denise Deegan

Well played, Denise Deegan!

Last night, I went to see Daisy Pulls it Off, which I have been itching to see since I first heard of it - a play that gently sends up and celebrates girls' boarding school stories. At the start of the year, I saw that this production was on and rushed to buy a ticket. As the date approached, I began to wonder how they'd handle the material, I only knew a rough outline of the story, but I started worrying that the production would poke fun in the wrong way, but it didn't and now I really want a copy of the play. Oh, and I'm really rather chuffed.

Read more... )

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